CHAMBER AND LARGE ENSEMBLE
no.23 (2025) composition for two continuously sustaining, real-time tunable instruments
variable length
no.20 (2025)
composition for violin, cello, sine and sawtooth tones
variable length
SOLO & ACOUSMATIC
no.25 (WIP)
quadraphonic composition for electronics variable length
no.24 (WIP)
composition for pipe organ and electronics
no.22 (2025)
composition for electric or pipe organ
variable length
no.21 (2025)
composition for electric or pipe organ
13’ or more
no.19 (2025) composition for electric or pipe organ variable length
no.18 (2025) composition for electric or pipe organ 13’ or more
no.16 (2023) composition for electronics variable length commissioned by retroguard (retroguardia del concreto)
no.15 (2023) acousmatic composition for sine tones and processed phonography 1’
no.14 (2023) composition for sine and triangle tones variable length
no.12 (2022) acousmatic composition for amplified classical guitar, feedback, and electronics 10’
no.10 (2022) acousmatic composition for sine tones and electric organ 22’
no.8 (2022) composition for amplified classical guitar, feedback, and fixed electronics variable length
no.7 (2022) acousmatic composition for sine tones variable length
no.6 (2022) acousmatic composition for sine tones 14’
no.5 (2022) acousmatic composition for processed fan and air conditioner 19’
no.4 (2022) acousmatic composition for sine tones and phonography 10’
no.2 (2022) composition for silence 10’
no.1 (2021) acousmatic composition for amplified objects and sine tones 22’
INSTALLATION
no.17 (2024) ready-made
no.13 (2023) photographies
no.11 (2022) augmented reality installation
no.9 (2022) objects and sound installation
no.3 (2022)
objects and sound installation
for scores, parts, and recordings, write to studio@paolocalabrese.com